There are many vantage points from which to consider “Serenity.” From the cultural and historical contexts to the numerous rhetorical strategies utilized there is a lot to take into consideration. But there are some other ways to conceptualize “Serenity,” that are very important also.
To fully comprehend “Serenity,” it is also well to consider it as an art object. The sculptor, Saul Baizerman, put everything that he had into every piece, to make each one a true work of art. He described his own process, “How do I know when a piece is finished? When it has taken away from me everything I have to give. When it has become stronger than myself. I become the empty one, and it becomes the full one. When I am weak and it is strong, the work is finished.” Considering “Serenity,” in this manner, as a true piece of art created with everything the sculptor had to offer, gives the work credibility and merit.
Finally, we must consider “Serenity,” as an intensification and extension of the natural environment in which it resides. “Serenity,” is made of copper, which of course is a natural element. When found naturally in nature, copper is not traditionally seen as art, or viewed in an artistic manner. But the sculptor was also able to take the natural element, copper, and turn it into something completely different. By shaping the copper and hammering it so that it has a steel-like strength, gives the natural elements a new life. Thus, the fact that the sculptor took a natural element and made it into art allows “Serenity,” to be viewed as an extension of the natural environment.
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